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Extinction

by Zanias

supported by
Rob Smith
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Rob Smith Really glad I decided to get the vinyl version of this album, sounds amazing, no favourite tracks as such they are all excellent. Favorite track: Extinction.
crystaltechno
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crystaltechno régulier dans le rythme donc agréable à mixer et mélodies atmosphériques qui me font voyager Favorite track: Extinction.
Mary Revery
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Mary Revery Who will be the last to sleep on Zanias’ prophetic splendor? Favorite track: Endling.
Casper Gjede Jansen
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Casper Gjede Jansen Reminds me a bit of 90s Goa-techno like MFG, Shiva Space Technology and Astral Projection. I would probably have passed if it wasn’t for the beautiful hauntingly vocals. If you like the 90s Goa-techno, you should check ‘Extinction’ out.
flowinglower
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flowinglower Darkwave Body Music
Berlin, DEU Favorite track: Carbon.
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1.
Extinction 05:49
2.
Carbon 05:10
3.
Endling 04:40
4.

about

Co-founder and label custodian Zanias makes her debut on Fleisch with a journey through climate catastrophe. Composed in Berlin and mixed in Queensland with the smell of bushfire smoke in the air, she addresses the primary anxiety of our time with four tracks designed to draw the body into movement and the mind into action. Body music elements are wrought with mournful melodies and studded with samples recorded from the fast-disappearing natural world, while her voice guides the way through the darkness.

credits

released March 23, 2020

All tracks written and produced by Alison Lewis at Fleisch HQ, Berlin
‘Endling’ co-written with Alex Akers at Blak Studios, Perth
Photography by Dovile Shurpo and Alison Lewis
Mastered by Alain Paul

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Zanias Berlin, Germany

Ethereal iron, catharsis through sound.

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